Track 2: Week 4
0Digital Media,
Well we have successfully made it to the last week of Track 2! Wooooo Hooooo! This is your chance to really push the boundaries on what each program can do. You have a week to create your final project for this track and then we are moving on to bigger and better things so make this time count and show me your best work! I am very proud of how far you have all come and I can’t wait to see what you come up with next.
Have a great week.
Ms. White
Beverage Container Check List
0Your beverage container design should include the following:
- Logo
- Name
- Tag Line (Put some Shizzle in your fizzle!)
- Nutrition Facts
- Ingredients
- Barcode
- Recycle Symbol or Trash Can Symbol
Your completed design should be uploaded to your web page as a new post titled “Beverage Container”. Under your design include what type of beverage this is (i.e. water, sports drink, soda, energy drink, etc.) and who your target audience is (i.e. energy drinks for teens, sports drinks for fitness buffs, filtered water for eco-concious people).
Track 1: Week 3
0Hi there everyone,
I hope you are getting the hang of the tracking system. Remember to let me know if you are having any problems. We are going to change up week 3 a bit and I am giving everyone the chance to opt out of whatever project has been listed for the week. Instead, you will have the chance to choose a cause that you feel passionate about and create some form of informational material about it. This can be a brochure, poster, bumper sticker, or short video psa. We will talk more about this in class and set a few guidelines, as well as meet individually to talk about your subject, if you decide to take part. Everything created will be posted on the bulletin board outside the room so put your best foot forward and really take your time on whatever media you choose.
Ms. White
DMED Track Schedule
0DMED,
Be sure to check out the Tracks page to see a complete list of dates that each “week” will run. I scheduled each “week” to have 5 days so that means one might start on a Tuesday and end the following Monday. It is your responsibility to check this often and stay up on where you are. I also posted the anticipated Final Exam date, this schedule could change if we have any snow days or guest speakers.
Please let me know if you have any questions.
Ms. White
Banned Advertisement for Misleading the Public
0The United Kingdom’s Advertising Standards Authorities (ASA) has banned the use of a Loreal advertisement featuring Rachel Weis for being misleading to the public.
Watch the video here.
What do you think about legislation controling what altered work can and cannot be used?
Should You PhotoShop Just Because You Can?
0A recent article in The New York Times discusses the use of PhotoShop in magazines and online to correct images of models and actors. They compare the use of retouching small things like a hair out of place or small blemish to shedding 10-20lbs. The question comes down to: Just because you can make the “ideal man/woman” should you? Do you think it is ok to drastically change the appearance of a subject? Does this cause unrealistic body goals for viewers or is it just artistic expression? Where do you draw the line in what is appropriate and inappropriate retouching? Should there be no retouching at all?
Click here to read the article and see some examples of retouching gone rogue.
Win Some Money!!!
0Hi everyone,
Well the winter weather has finally hit us. Take some time while you are stuck inside to look through the Contest Information page. There are quite a few interesting ones going on right now and several that I think you all would be great at! These competitions would look great in a portfolio or resume and several even offer cash prizes; which is always nice. Pay attention to the submission deadlines as some are fast approaching.
Happy Designing,
Ms. White
Sub Day: Stylized Poster
0In this Photoshop tutorial, we’re going to learn how to blend photos together like a Hollywood movie poster. Blending photos is easy to do in Photoshop thanks to layer masks, yet finding two photos with similar colors isn’t always so easy, and you end up with a photo effect that doesn’t really seem to look right because the colors don’t match.
With this technique, you don’t need to worry about the colors in the images at all because we’ll be removing them completely and adding our own colors to blend the two photos seamlessly.
Here’s the first photo I’ll be using:
The first photo.
Here’s the image I want to blend it with:
The second photo.
And here’s what the final effect will look like:
The final result.
Step 1: Drag One Image Into The Document Window Of The Other Image
The first thing we need in order to blend our two images together is for them to both be in the same document. To do that, with both of my images open on the screen in their own separate document windows, I’m going to grab my Move tool from the Tools palette, or I could press the letter V on my keyboard to quickly select it:
Select the Move tool from the Tools palette, or press “V” for the keyboard shortcut.
Then with my Move tool selected, I’m going to click anywhere inside the image of the couple walking on the beach to make that document window active, and I’m simply going to drag the image into the other document window:
Click inside the first and drag it into the document window of the second photo.
When I release my mouse button, both images appear inside the same document, one on top of the other:
The two photos now appearing in the same document.
I can also see both images now on their own separate layers in the Layers palette:
Step 2: Resize And/Or Reposition The Images As Needed
Now that I’ve dragged the beach photo into the other document, I need to resize it, and I can do that easily with Photoshop’s Free Transform command. With the beach photo layer selected in the Layers palette, I’m going to use the keyboard shortcut Command+T to bring up the Free Transform box and handles around the image.
Problem is, this image is in “landscape” mode, meaning its width is longer than its height, and I’ve dragged it into a document containing an image that’s in “portrait” mode (its height is longer than its width), so even though Photoshop has placed the Free Transform box and handles around my image, I can’t see any of the corner handles because the sides of the image are extending out beyond the viewable area of the document.
To fix that, all I need to do is press Command+0 to fit everything onto the screen:
Press ”Command+0″ to fit everything, including the Free Transform handles, onto the screen.
Now that I can see my corner handles, I can resize my image by dragging any of the corner handles inward in order to fit more of the image into the viewable document area. Since I don’t want to distort the image, I’m going to hold down my Shift key as I’m dragging the handles to constrain the width and height proportions:
Hold down “Shift” and drag any of the corner handles inward to resize the image and fit more of it into the viewable area.
When I’m happy with the new size of my image, I’m going to press Enter (Win) / Return (Mac) to accept the transformation.
The beach image looks good, but the image of the couple behind it needs to be moved up higher. Again, there’s a slight problem. The image is on the Background layer:
The original image on the Background layer.
If I select the layer in the Layers palette and then click inside the document and try to drag the image up with my Move tool, Photoshop is going to complain and give me this pop-up message:
A warning message telling me that Photoshop can’t move the image on the Background layer because the layer is locked.
The warning message is telling me that Photoshop can’t move the image because the layer is locked, and the reason it’s locked is because it’s the Background layer. Photoshop treats Background layers differently from normal layers, and one of the things you can’t do with images on the Background layer is move them. To get around that problem, all we need to do is rename the Background layer, and the quickest way to do that is to simple hold down Alt (Win) / Option (Mac) and double-click directly on the word “Background”. Photoshop will automatically rename the layer “Layer 0″:
Hold down “Alt” (Win) / “Option” (Mac) and double-click directly on the word “Background” to rename the Background layer “Layer 0″.
Just like that, the layer is no longer a special Background layer, and we’re now free to move the image on the layer. With my Move tool still selected, I’m going to click inside the document and drag the photo of the couple up higher. Since I want to make sure I’m dragging straight up and not accidentally dragging the image a little off to either side, I’m going to once again hold down my Shift key as I’m dragging:
Dragging the bottom image upward using the Move tool.
Step 3: Add A Layer Mask
Once you’ve resized and/or repositioned your photos in the document the way you like them, we can begin blending them together. The first thing we need is a layer mask, and we’re going to add it to the layer on top (“Layer 1″), which is my case is the layer containing the beach photo, so I’m going to click on that layer in the Layers palette to select it. Then, click on the Add A Layer Mask icon at the bottom of the Layers palette:
Click on the top layer to select it in the Layers palette, then click on the “Add A Layer Mask” icon.
We can now see the layer mask thumbnail added to the top layer:
The layer mask thumbnail in the Layers palette.
Notice that the layer mask thumbnail has a white highlight border around it. That’s telling us that the layer mask, not the layer itself, is currently selected, which is what we want.
Step 4: Drag Out A Black to White Gradient On The Mask To Blend The Two Images
Select your Gradient tool from the Tools palette, or press G to quickly access it with the keyboard shortcut:
Select the Gradient tool.
Then, up in the Options Bar at the top of the screen, click on the down-pointing arrow to the right of the gradient preview area, which will bring up the Gradient Picker. Click on the black to white gradient in the top row, third from the left to select it:
Select the black to white gradient, third from the left, top row.
Click anywhere else on the screen to close out of the Gradient Picker once you’ve selected the gradient. Then, back in your document, hold down your Shift key and drag out a black to white gradient to blend the two images together. Because you’re dragging the gradient on the layer mask, not the layer itself, you won’t see your gradient. Instead, you’ll see the two images blend together. Start at the top of where you want the transition from one image to the other to begin, which in my case is the top of the beach photo, and drag down to the point where you want the transition to end. I want my transition to end where the water and land meet, so I’m going to click just below the top of my beach photo and drag straight down to just above the water line:
Dragging the gradient from just below the top of the beach photo to just above the top of the water line to set the transition area between the two photos.
Release your mouse button, and the two images blend together at the location where you dragged out the gradient:
The two images now fade from one into the other thanks to the black to white gradient we added to the layer mask.
If you’re not happy with how your two images have blended together, simply press Command+Z to undo and try dragging the gradient again.
Step 5: Merge Both Layers Onto A New Layer
With “Layer 1″ still selected in the Layers palette, press Shift+Ctrl+Alt+E (Win) / Shift+Command+Option+E (Mac) to merge both layers onto a new layer above it, which Photoshop will name “Layer 2″:
Merge both layers onto a new layer at the top of the Layers palette.
Step 6: Desaturate The Layer
We’re going to remove all the color from the image at this point so we can add our own color, which we’ll do in a moment. To remove the colors, press Shift+Ctrl+U (Win) / Shift+Command+U (Mac) to desaturate the layer:
Press “Shift+Ctrl+U” (Win) / “Shift+Command+U” (Mac) to desaturate the image, removing the colors.
Step 7: Add Noise
Let’s add a little noise to the image to help the two photos blend more seamlessly together. Go up to the Filter menu at the top of the screen, choose Noise, and then choose Add Noise. This brings up the Add Noise dialog box. Set the Amount to somewhere between 2-6% depending on the pixel dimensions of your image. I’m working on a low resolution image for this tutorial, so I’m going to set mine to 2% just to add a hint of noise. Make sure Distribution is set to Gaussian, and also make sure the Monochromatic option at the very bottom is checked:
Add a bit of noise to the image to help blend the two photos together.
Step 8: Add A Solid Color Adjustment Layer
All that’s left to do is add our own color to the image. For that, we’re going to use a Solid Color fill layer. Click on the New Fill Or Adjustment Layer icon at the bottom of the Layers palette:
Click the “New Fill Or Adjustment Layer” icon.
Then select Solid Color from the top of the list that appears:
Select the Solid Color fill layer from the list.
Photoshop’s Color Picker will appear. Choose the color that you want to use for your image. I’m going to select a light orange for my color:
Choose a color to use for your image from the Color Picker.
Click OK once you’ve chosen a color to exit out of the Color Picker. Don’t worry about choosing the “right” color at the moment because you can always change it later.
Step 9: Set The Layer Blend Mode To “Color”
After clicking out of the Color Picker, your image will now be filled completely with the color you chose, which isn’t exactly what we wanted. To fix that, with the new Solid Color fill layer selected in the Layers palette, go up to the Blend Mode option in the top left corner of the Layers palette, click on the down-pointing arrow to the right of the word “Normal”, and select Color from the list:
Change the blend mode of the Solid Color fill layer to “Color”.
Your image will now be colorized with your chosen color rather than being blocked from view by it. If you decide you’re not happy with the color you chose, just double-click on the Solid Color fill layer’s color swatch icon in the Layers palette:
Double-click the color swatch icon in the Layers palette.
When you do that, the Color Picker will pop back up and you can choose a different color. Since the Solid Color fill layer is already set to the “Color” blend mode, you’ll be able to see a live preview of how your current color choice looks with your image.
I’m going to stick with my initial color selection, and here, after changing the blend mode to “Color”, is my final result:
The final result.
































